Mephisto Cast Announced

L-R: Gustaf Gründgens, Erika Mann, Pamela Wedekind, Klaus Mann | At the time this photo was taken, Erika was engaged to Gustaf but was having an affair with Pamela, who was engaged to marry Klaus, who was romantically involved with Gustaf.  They also were appearing in Klaus's play, Anja und Esther, based on the affair between Erika and Pamela.

L-R: Gustaf Gründgens, Erika Mann, Pamela Wedekind, Klaus Mann | At the time this photo was taken, Erika was engaged to Gustaf but was having an affair with Pamela, who was engaged to marry Klaus, who was romantically involved with Gustaf. They also were appearing in Klaus’s play, Anja und Esther, based on the affair between Erika and Pamela.

Our October 11 Sunday Salon reading of Klaus Mann’s Mephisto, as adapted for stage by Ariane Mnouchkine, is not to be missed! We have assembled a thrilling cast of local talent to illuminate Mann’s unforgettable and largely autobiographical collection of socialists and incipient fascists as they react to Hitler’s ascension and make fatal choices about art and life.

THE CAST

Klaus Mann/Sebastian Bruckner – Craig Bradshaw
Hendrik Hofgen – Brandon J. Simmons
Carola Martin – Tracy Michelle Hughes
Hans Miklas  – Tyler Polumsky
Theresa von Herzfeld / Emelyne – Valerie Curtis-Newton
Otto Ulrich – Joseph Lavy
Myriam Horowitz / Actor – Emily Jo Testa
Alex / Tyler Trerise
Magnus Gottchalk / Thomas Bruckner – Carter Rodriquez
Mrs. Efeu – Eva Doak
Knurr / Publisher – Dean Wilson
Juliette / Lorenz / Ludwig – Ayo Tushinde
Erika Bruckner  / General Fonnesique – Alex Highsmith
Nicoletta von Niebuhr – Sara Kaus
Theophile Sarder / Hans Josthinkel – Ben Gonio

Join us October 11 for what promises to be an exciting reading and lively discussion!
More information and RSVP.

FacebookTwitterGoogle+TumblrPinterestGoogle GmailDeliciousDiggRedditStumbleUponFlipboardShare

Gregory Awards – Submit Your People’s Choice Nomination!

Marina (Zhenya Lavy) and Astrov (Carter Rodriquez) | Photo: Annie Paladino

Marina (Zhenya Lavy) and Astrov (Carter Rodriquez) | Photo: Annie Paladino

People’s Choice nominations are still being accepted for this year’s Gregory Awards — through September 4 — and we ask you to consider Uncle Vanya for Best Production when you vote.

Our work doesn’t fit neatly into Tony-style award categories. In fact, almost everything we do falls outside convention. Consider music alone: while APL’s productions are all deeply musical — with sophistication and complexity outpacing most musical theatre — it would and should never be classified in the same category as musicals.

We need your support to be recognized, and anyone can submit a nomination. VOTE HERE! The not-to-be-missed Gregory Awards ceremony is October 20.

Uncle Vanya may not have nabbed reviewer nominations, but we did receive some Gregory Nominator love and appreciation for the work we do. Here are some highlights:

About the production:

I thought staging this production in an old Victorian House was brilliant. I was skeptical about the intimate setting but for a Chekhov play it worked very well.

 

Ballsy choice to set the show environmentally, in a location that has a limited potential audience. Excellent use of architecture.

 

For the space, the lights were great. They were low when necessary, warm when they needed to be, and stark enough to make me feel like I was in a dark Russian countryside.

 

The music was exceptional. They set the scenes up nicely, and the fact that almost all singing was done unaccompanied should be applauded. The actors did a fantastic job and Zhenya Lavy did some beautiful work.”

Not surprisingly, the Vanya music received special attention:

Zhenya Lavy should be recognized for her outstanding direction of the music in Uncle Vanya. The music–sung all in Russian, mostly a capella, in rich 3 & 4 part harmonies, was exquisite and brought so much depth and texture to the production as a whole. Brilliant work!

 

The music was exceptional. They set the scenes up nicely, and the fact that almost all singing was done unaccompanied should be applauded. The actors did a fantastic job and Zhenya Lavy did some beautiful work.

 

Superb use of music and song as environment.

This love went to Carter Rodriquez for his brilliant turn in the role of Astrov:

Complex, authentic portrayal of a character that could easily be two-dimensional.

 

He seemed to understand the dark humor of Chekov.

And, finally, Zhenya Lavy received this acknowledgment for her on-stage marathons as the largely dialogue-free but always-present Marina:

Lovely, natural approach, made all the more compelling by realistic reactions during long periods where she had no dialogue.

Submit your People’s Choice Nomination today — VOTE HERE!

1st Vanya Review Filled With Superlatives!

Marina (Zhenya Lavy) and Telegin (Sean Patrick Taylor) tearing it up with a rousing “Когда мы были на войне.” | Uncle Vanya (2014) | Photo: Annie Paladino

Marina (Zhenya Lavy) and Telegin (Sean Patrick Taylor) tearing it up with a rousing “Когда мы были на войне” is just one of the reasons Uncle Vanya is the first production in APL’s history to be interrupted midstream by audience applause. | Uncle Vanya (2014) | Photo: Annie Paladino

Congratulations, to the entire company of Uncle Vanya!

We had a highly successful opening weekend, with both our evening shows sold out during pre-sales and enthusiastic audience response.

The first review is a great one. Read it here:

“Uncle Vanya – Brilliant new translation by Zhenya Lavy” by Marie Bonfils, Drama in the Hood, March 23, 2014

Among the highlights:

Akropolis Performance Lab deserves the highest theatre award known to mankind for their production of Uncle Vanya….

 

…this version of Uncle Vanya was not another fossil in a museum, but a vibrant play propelled by psychic movement.

 

It was a stroke of genius to stage Uncle Vanya in The Garden House-The Washington State Federation of Garden Clubs.

 

The Music was to die for!

 

Doubling as the director, Joseph Lavy delivered a stunningly brilliant performance as Vanya, which was humorous, sad, and deeply moving.

 

Margaretta Campagna as Sonya, was superb…. She has a commanding voice and presence on stage which made her plight as a plain girl of marriageable age all that more tragic.

 

All in all this is the best production of Chekhov I have ever seen.