730 Steps Premiere Announcement!

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Raskolnikov (Tyler Polumsky) Murders Lizaveta (Annie Paladino) (Rehearsal Photo by Joseph Lavy)

Mark your calendars!
Friends, supporters, and media folks, we are very excited to announce that 730 Steps, (an original adaptation of Dostoevsky’s Crime and Punishment), will have its premiere run of performances
July 14 – 29, 2017!

In a move which we expect will once again defy preconceptions, 730 Steps will be produced in the Isaac Studio Theatre at Taproot Theatre Company, marking the first time since 2004 that APL has produced a full-scale work in a traditional theatre space.
Our work has always been developed with sensitivity to the relationship between the performance art and the specific architecture it inhabits. Over our history, we have developed an approach to creation that we consider “site responsive;” creating work that is at once both very specifically detailed in its performance score, and flexible enough in execution to interact organically with each unique space we perform in.
Over the years, we have produced in a Beacon Hill historical estate house, the Volunteer Park Water Tower, a church sanctuary in Ballard, and the basement of our own home. We have also produced in the On the Boards Studio, CHAC, Freehold and The Chamber Theatres (once upon a time in the Oddfellows Building), and Theatre4 at the Center House Armory.
730 Steps is developing into a very theatrical piece and we’re thrilled to have been invited into Taproot’s beautiful Isaac Studio Theatre to bring it to you!
Wherever we perform, rest assured the artistic principles, vision, and commitment to austerity and intimacy that define our work as uniquely APL will continue to guide us without compromise.
So, mark your calendars!

730 Steps
(based on Crime and Punishment by FM Dostoevsky)
Produced by Akropolis Performance Lab
July 14 – 29, 2017
Isaac Studio Theatre
Taproot Theatre
Greenwood, Seattle WA

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An Actor’s Early Thoughts on Ecce Faustus

"But you others, what do I see? You are all sitting there with lusting eyes: you free souls, where is your freedom gone?" | Tyler Polumsky as The Bad Angel | Ecce Faustus (2016) | Photo: Mark Jared Zufelt, Aether Images

“You are all sitting there with lusting eyes: you free souls, where is your freedom gone?” | Tyler Polumsky as The Bad Angel | Ecce Faustus (2016) | Photo: Mark Jared Zufelt, Aether Images

This message was written to Joseph and Zhenya early in the rehearsal process for Ecce Faustus. As APL prepares to remount the piece for video and a special one-night-only showing for audience, it seemed like a good opportunity to share these thoughts.

I am a bit sleepless. Working on text, and stepping through sequences in my mind.

So, I am writing to tell you how genuinely enamored I am with our work.

Ecce Faustus cuts deep. It is a complicated text; based on tried and true classical literature, neither profane nor vulgar in content–though the message is one that strikes straight to the bone of the profanity and vulgarity of the human condition in our time (perhaps throughout all of time).

Sitting and listening/reading the text, observing the shapes of the action, I begin to see what amount of devastating efficacy we can bring to this story.

I know we have a long way to go before these themes begin to sound out and resonate with the intended genuine depth, but I have no doubts that this group of artists will get there.

As I lay my head to sleep, I am grateful for the opportunity to endeavor with you all on something of this calibre and in which I can find a great worldly meaning and value. Faust is a story to be told, again and again, now more than ever.

Indeed we are all Faust: selfish, self absorbed, and self centered. It would almost be a cruel joke were it not disappointingly true….

I have always believed the theatre to be a spiritual endeavor first and foremost. I am glad to not be alone in this and overjoyed at an opportunity to convey a deeply meaningful story to anyone that would hear it–and with a group of artists who are not afraid to delve so deeply for the sake of spiritual wealth.

Thank you,
Tyler

Meet our New Artistic Associates

2015 Ensemble Membership ChangesSeptember brings exciting changes for Akropolis Performance Lab as we welcome five new Artistic Associates.

Emily Jo Testa and Linnea Ingalls, who participated in 2014-15 as Artistic Apprentices, have earned promotion to full membership as Artistic Associates. Both were strong contributors during their apprenticeships, performing in Pomegranate & Ash and The Glas Nocturne, and we look forward to deepening our collaboration.

We are thrilled to begin working with three new artists: Matthew Sherrill, Nick Rempel, and Tyler Polumsky. The range of experience they bring to Akropolis is truly impressive. They already have leapt into our twice-weekly physical and vocal training sessions, as well as work on music for our upcoming production of Ecce Faustus.

This brings APL’s core ensemble to eleven, as our new Associates join continuing members Annie Paladino (Associate Artistic Director), Joseph Lavy (Founder & Co-Artistic Director), Margaretta Campagna, Sara Kaus, Trevor Young Marston, and Zhenya Lavy (Founder & Co-Artistic Director).

Please join us in congratulating Emily Jo and Linnea and in welcoming Matt, Nick, and Tyler!

Learn more about all our new members here.