We Want to Read Your New Play!

Members of Theatre Battery at the 2018 NYNP Salon reading of Jessica Andrewartha's "Choices People Make." (L-R: Joshua Hamilton, Jessica Andrewartha, Annelih Hamilton, and Gianna Gargiulo)

Members of Theatre Battery turned out for the 2018 NYNP Salon reading of Jessica Andrewartha’s “Choices People Make.” (L-R: Joshua Hamilton, Jessica Andrewartha, Annelih Hamilton, and Gianna Gargiulo)

APL invites submissions of new plays for a developmental reading at our 5th-Annual New Year New Play (NYNP) Salon January 27.

This call is for new plays that have not yet had a developmental reading. While we are most interested in a full-length piece, we are open to other synergies and ask current or former PNW playwrights (emerging or established) to submit their long- or short-form plays for consideration.

The play will be read by local actors at our Sunday Salon on January 27, 2019. The reading will be followed by lively, lightly moderated discussion. APL’s artistic directors provide guidance to the actors so they can bring their best creativity and engagement to the reading. We also confer with the playwright before and after the Salon, provide limited dramaturgical assistance, and offer the playwright the opportunity to frame questions for the discussion.

The Salon is an invited event focused on bringing an optimal mix of artists, intellectuals, and community members into the space to focus on your play. We also open it up to the public to attend.

We promise a rich and productive experience for the playwright. As with all APL Salons, the gathering includes great community, food, and drinks. There are no stipend or travel funds.

DEADLINE TO SUBMIT: Sunday, November 11, 2018

NOTIFICATIONS: December 17, 2018
Our selection committee provides feedback to all playwrights about their submissions. We view this as a service to fellow artists in the future evolution of their work, regardless of whether it has been selected for our Salon. If you prefer not to receive feedback from our selection committee, please indicate this on your cover sheet.

(L-R) Playwright Stacy Flood takes notes on the discussion about his new play, The Pleasure & Sorrow of Your Company, as fellow playwrights Olivia Pi-Sunyer and Ina Chang listen. | Photo: Zhenya Lavy

(L-R) Stacy Flood and fellow playwrights Olivia Pi-Sunyer and Ina Chang absorbing the group discussion of Flood’s “The Pleasure & Sorrow of Your Company.” | January 2015 Sunday Salon | Photo: Zhenya Lavy

TO APPLY

  • Email PDF or DOC files to ensemble@akropolisperformancelab.com, with “Submission: [Title]” in the subject line.
  • Along with the complete script, submit a cover sheet with your full contact information, short bio, brief synopsis of script, development history (as applicable), character breakdown, a brief statement of your hopes for how this reading might help further the play’s development, and indication of your feedback preference.
  • NO FEE.

PREVIOUS NEW PLAY DEVELOPMENT SALONS

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Summer 2018 Open Training Sessions!

We’re delighted to announce that during July and August APL is inviting performers interested in rigorous, practical work engaging essential elements of the performer’s craft to participate in our twice-weekly ensemble training. Performing artists with an openness to embodied exploration are welcome regardless of experience or discipline.

Interested? Sign up here: https://goo.gl/forms/rJR29Gg4L0hflpdu2 or keep reading to learn more!

Our training objective:Living Impulses shaped by Deliberate Form piloted by an Engaged Mind

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Joseph Lavy, Annie Paladino, Emily Jo Testa: Plastiques

 

When:  July 5 – August 16, 2018

Wednesdays – Voice (7:30 pm – 9:30 pm)

  • Listening
  • Impulse, Breath, Tone, Resonance, Shared Voice
  • Harmonic/Polyphonic/Overtone Singing

Thursdays – Body (7:30 pm – 9:30 pm)

  • The Basics: Awareness, Presence, Contact
  • Plasticity: The shape and flow of associations
  • Corporeality: Identifying, owning, and surpassing our personal limitations
  • The Tangible World: Deep play at the intersection of attention, action, and objects

 

 

 

Introductory Intensive: To accelerate participants’ experience we are also offering an 8 hour Introductory Intensive – June 30 & July 1 – during which we will provide a beginner-focused introduction to APL’s core principles, exercises, songs, and activities.

Participation in the Introductory Intensive is strongly encouraged but not required. Everyone is welcome on a drop in basis.

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APL corporeality training

 

Cost: Drop In Sessions: $20 per session or $25 per week if attending both voice and body training sessions (4 hours/week total)

Introductory Intensive: $80

Discounts:Participants in the Introductory Intensive will have a reduced drop-in fee of $10 per session/$20 per week.

We also offer discounts for paid-in-advance, multi-session commitments.  Situational sliding scale rates available

Sign Up: Interested? Click through to this simple form to let us know! https://goo.gl/forms/rJR29Gg4L0hflpdu2

Call for Submissions: New Plays

(L-R) Playwright Stacy Flood takes notes on the discussion about his new play, The Pleasure & Sorrow of Your Company, as fellow playwrights Olivia Pi-Sunyer and Ina Chang listen. | Photo: Zhenya Lavy

(L-R) Stacy Flood and fellow playwrights Olivia Pi-Sunyer and Ina Chang absorbing the group discussion of Flood’s “The Pleasure & Sorrow of Your Company.” | January 2015 Sunday Salon | Photo: Zhenya Lavy

APL invites submissions of new plays for a developmental reading at our New Year New Play Sunday Salon in February.

This call is for new plays that have not yet had a developmental reading. While we are most interested in a full-length piece, we are open to other synergies and ask current or former PNW playwrights (emerging or established) to submit their long- or short-form plays for consideration.

The play(s) will be read by local actors at our February 11 Sunday Salon, and the reading will be followed by lively, lightly moderated discussion among the artists and intellectuals attending. There will not be a rehearsal, but APL’s artistic directors will provide guidance to the actors for their preparation, as needed. We also will confer with the playwright both before and after the reading, provide limited dramaturgical assistance, and offer the playwright the opportunity to frame questions for the discussion.

This Salon will be an invited event focused on bringing an optimal mix of people into the space to focus on your play. Although we cannot offer a stipend or travel funds, we promise a rich and productive experience for the playwright. And, as with all APL Salons, the gathering includes great community, food, and drinks.

DEADLINE TO SUBMIT: Sunday, December 10, 2017.

NOTIFICATIONS: January 14, 2018. Please note that our selection committee  provides feedback to all playwrights about their submissions. We view this as a service to fellow artists in the future evolution of their work, regardless of whether it has been selected for our Salon. If you prefer not to receive any feedback from our selection committee, please indicate this on your cover sheet.

TO APPLY

  • Send PDF or DOC files to ensemble@akropolisperformancelab.com, and write “Submission: [Title]” in the subject line.
  • Along with the complete script, submit a cover sheet with your full contact information, short bio, brief synopsis of script, development history (as applicable), character breakdown, a brief statement of your hopes for how this reading might help further the play’s development, and indication of your feedback preference.
  • NO FEE.

PREVIOUS NEW PLAY DEVELOPMENT SALONS:

FANGS by Jim Moran | January 2014 Sunday Salon | Photo: Zhenya Lavy

FANGS by Jim Moran | Inaugural New Year New Play Salon | January 2014 | Photo: Zhenya Lavy

 

 

1-night only! See Ecce Faustus April 4

The Invocation of Mephistopheles | Ecce Faustus (2016) | Photo: Mark Jared Zufelt, Aether Images

The Invocation of Mephistopheles | Ecce Faustus (2016) | Photo: Mark Jared Zufelt, Aether Images

Dear Friends,

If you missed the February premiere of Ecce Faustus or just want to see it again, you are in luck: We are remounting it to shoot video and are inviting friends to enjoy a free showing — one night only — on April 4. That’s next Monday, and this is short notice, but we hope you can join us!

Seating is capped at 50 and first-come, first-served, so  reserve yours here now!

While this event is free to attend, there are expenses associated with this remount that we would appreciate your support in helping cover. Please consider making a donation to APL as you are able.

~ The APL Ensemble

Tommer Peterson’s play selected for Jan Salon

Playwright Tommer Peterson

Playwright Tommer Peterson

The New Year New Play Salon, held annually since 2014, features the work of a Pacific Northwest playwright and/or Pacific Northwest themes. A team of four evaluated all the submissions for 2016, and we are delighted to announce that out of a very competitive pool of applicants, the play selected to be read at our January 17 New Year New Play Salon is Tommer Peterson’s No One on Board Took Notice.

Perhaps best known for his work as a designer, Peterson also has authored or co-authored several plays, including Va-Va-Va-Voom and (with KJ Sanchez) two documentary plays: Night at the Opera (2012) and Duck Soup (2011).

No One on Board Took Notice starts from a simple yet infinitely complex premise: What we see is largely determined by where we stand…. or perhaps even more by where we choose to gaze and what we choose to remember.

Learn more about Peterson and this exciting new play.

Playwrights, send your new scripts!

(L-R) Playwright Stacy Flood takes notes on the discussion about his new play, The Pleasure & Sorrow of Your Company, as fellow playwrights Olivia Pi-Sunyer and Ina Chang listen. | Photo: Zhenya Lavy

(L-R) Playwright Stacy Flood takes notes on the discussion about his new play, The Pleasure & Sorrow of Your Company, as fellow playwrights Olivia Pi-Sunyer and Ina Chang listen. | January 2015 New Year New Play Salon | Photo: Zhenya Lavy

We are now accepting submissions for our annual New Year New Play Salon. Entering its third year, this popular New Year New Play Salon features the work of a Pacific Northwest playwright and/or Pacific Northwest themes.  Check out our guidelines, and help us spread the word to area playwrights!

Submission Deadline: Nov 1
Notifications Made: Dec 11

Mephisto Cast Announced

L-R: Gustaf Gründgens, Erika Mann, Pamela Wedekind, Klaus Mann | At the time this photo was taken, Erika was engaged to Gustaf but was having an affair with Pamela, who was engaged to marry Klaus, who was romantically involved with Gustaf.  They also were appearing in Klaus's play, Anja und Esther, based on the affair between Erika and Pamela.

L-R: Gustaf Gründgens, Erika Mann, Pamela Wedekind, Klaus Mann | At the time this photo was taken, Erika was engaged to Gustaf but was having an affair with Pamela, who was engaged to marry Klaus, who was romantically involved with Gustaf. They also were appearing in Klaus’s play, Anja und Esther, based on the affair between Erika and Pamela.

Our October 11 Sunday Salon reading of Klaus Mann’s Mephisto, as adapted for stage by Ariane Mnouchkine, is not to be missed! We have assembled a thrilling cast of local talent to illuminate Mann’s unforgettable and largely autobiographical collection of socialists and incipient fascists as they react to Hitler’s ascension and make fatal choices about art and life.

THE CAST

Klaus Mann/Sebastian Bruckner – Craig Bradshaw
Hendrik Hofgen – Brandon J. Simmons
Carola Martin – Tracy Michelle Hughes
Hans Miklas  – Tyler Polumsky
Theresa von Herzfeld / Emelyne – Valerie Curtis-Newton
Otto Ulrich – Joseph Lavy
Myriam Horowitz / Actor – Emily Jo Testa
Alex / Tyler Trerise
Magnus Gottchalk / Thomas Bruckner – Carter Rodriquez
Mrs. Efeu – Eva Doak
Knurr / Publisher – Dean Wilson
Juliette / Lorenz / Ludwig – Ayo Tushinde
Erika Bruckner  / General Fonnesique – Alex Highsmith
Nicoletta von Niebuhr – Sara Kaus
Theophile Sarder / Hans Josthinkel – Ben Gonio

Join us October 11 for what promises to be an exciting reading and lively discussion!
More information and RSVP.

July 26 Salon Cast Announced!

Goody GoodyWe have some exciting announcements about our July 26 Sunday Salon reading of John Longenbaugh’s Noir thriller, The Sound in the Next Room!

The cast assembled for this reading is absolutely stellar:

EUCA/CLARICE – Alex Highsmith
MELANIE/LESLIE – Annie Paladino
CLEO – Emily Jo Testa
DANIELLE – Kate Kraay

Playwright John Longenbaugh will join us for the reading and discussion, as well.

If you haven’t already made plans for what promises to be a hot, midsummer Sunday, we hope you will join us for this great night of theatre and conversation. Registration information.

For you! Recipe for Norwegian Blonde Cocktail

RECIPE card - Norwegian BlondeEveryone who had the Norwegian Blonde at our post-show reception after The Glas Nocturne raved about it, so we are sharing the recipe with you! It’s designed by Old Ballard Liquor Co and made with their scrumptious, caraway infused Riktig Aquavit. #GlasNocturne

Click here for the PDF: RECIPE card – Norwegian Blonde

Free Summer Workshop for Young Actors

2014-10-19 10.54.06Moving Beyond the Script: Creative Physicality for Young Actors

Akropolis Performance Lab continues its year of giving with an exciting, 8-week workshop for kids in middle or high school. Meets Saturday mornings, 10:30am – noon, from July 11 to August 29, in the Sand Point area of Seattle. Indoors and outdoors activity. Limited to 16 spots — don’t delay!

Click here for complete details and registration instructions.