Approaching The Fence from All Angles

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L-R: Zhenya Lavy, Aimée Bruneau, and Lola Peters | Photo: Margaretta Campagna

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Andrew Ross Litzky and Annie Paladino | Photo: Margaretta Campagna

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Clockwise from back: Jose Amador, Aimée Bruneau, and Zachary Hewell | Photo: Margaretta Campagna

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Valerie Curtis-Newton and Andrew Ross Litzky | Photo: Margaretta Campagna

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Joseph Lavy and Annie Paladino | Photo: Margaretta Campagna

 
For our October 12 Sunday Salon reading of Howard Barker’s The Fence in it’s Thousandth Year, we filled the house with a fantastic group of artists and intellectuals who really dug in to investigate the play’s meaning, reverberations, and implications for performance today. We were fortunate to snag time with Valerie Curtis-Newton in what turned out to be a monumental week for her: winning The Stranger’s 2014 Genius Award for Theater and Crosscut’s 2014 Courage Award in Culture. And we owe special thanks to Andrew Ross Litzsky for saving the day when one of our originally scheduled reader fell ill.

The entire cast knocked this reading out of the park:

PHOTO, a Blind Adolescent – Zachary Hewell
ALGERIA, A Duchess – Aimée Bruneau
ISTORIA, Friend to Algeria – Valerie Curtis-Newton
DOORWAY, A Suitor – Joseph Lavy
LOU, A Young Woman – Annie Paladino
KIDNEY, A Servant – Andrew Ross Litzky
YOUTERUS, A Blind Thief – Jose Amador
CAMERA, A Blind Child – Margaretta Campagna
NARRATOR – Zhenya Lavy

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About Akropolis Performance Lab

Founded in 2000 by Co-Artistic Directors Joseph and Zhenya Lavy, Akropolis Performance Lab (APL) is Seattle's premiere ensemble-based theatre company. The ensemble practices rigorous, ongoing vocal and physical training and devises original work through long-form rehearsal process. APL's signature aesthetic, Theatre of Polyphony, is our original approach to crafting ensemble performance events that symbiotically interweave music, movement, and poetry to tell compelling and vital stories while reinventing the given spatial location and audience relationship to our art. Company members include Annie Paladino (Associate Artistic Director), Catherine Lavy, Emily Jo Testa, Jennifer Crooks, Joseph Lavy, Margaretta Campagna, Matt Sherrill, Sara Kaus, Tyler J. Polumsky, and Zhenya Lavy. The co-artistic directors' artistic lineage comes through the Central and Eastern European heritage of Meyerhold, Vakhtangov, and Grotowski. Recent work includes Ecce Faustus (2016), The Glas Nocturne (2015), and Pomegranate & Ash (2015). The ensemble hosts quarterly Salons and offers regular workshops in physical and vocal praxis. Akropolis Performance Lab is a Washington State Non-Profit Corporation.
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