About Akropolis Performance Lab

Founded in 2000 by Co-Artistic Directors Joseph and Zhenya Lavy, Akropolis Performance Lab (APL) is Seattle's premiere ensemble-based theatre company. The ensemble practices rigorous, ongoing vocal and physical training and devises original work through long-form rehearsal process. APL's signature aesthetic, Theatre of Polyphony, is our original approach to crafting ensemble performance events that symbiotically interweave music, movement, and poetry to tell compelling and vital stories while reinventing the given spatial location and audience relationship to our art. Company members include Annie Paladino (Associate Artistic Director), Catherine Lavy, Emily Jo Testa, Joseph Lavy, Linnea Ingalls, Margaretta Campagna, Matt Sherrill, Nick Rempel, Sara Kaus, Tyler J. Polumsky, and Zhenya Lavy. The co-artistic directors' artistic lineage comes through the Central and Eastern European heritage of Meyerhold, Vakhtangov, and Grotowski. Recent work includes Ecce Faustus (2016), The Glas Nocturne (2015), and Pomegranate & Ash (2015). The ensemble hosts quarterly Salons and offers regular workshops in physical and vocal praxis. Akropolis Performance Lab is a Washington State Non-Profit Corporation.

Get Ready for GiveBIG!

We are so excited to participate in Seattle Foundation’s GiveBIG event on May 3, and we hope you are, too! Seattle’s GiveBIG is the most successful in the country. It is thrilling to see the impact we can make in just one day by working together.

#‎GiveBIG today through May 3, and your support for Akropolis Performance Lab will be stretched by Seattle Foundation pooled funds. And as an additional bonus, the first $1,000 in contributions to Akropolis will be matched 100%! – Please help us meet this goal.

As you know, we primarily produce our work in non-conventional or found spaces. We believe this increases authenticity and enriches audience experience. It also requires us to be fully self-sufficient, mobile, flexible, and nimble — for many productions we must set up and strike our set and tech every night! To fulfill our production plans for the next two years while continuing our commitment to this mobility, we must acquire some new equipment.

Money raised during GiveBIG will fund as many of these items as possible:

  • Risers for 2nd-row audience seating
  • Lighting fixtures (light board and 6 instruments with safety cables, barn doors, gel frames, gels)
  • Rigging for lights
  • Pipe & Drape
  • Road cases to transport and protect our equipment

And you don’t have to wait to make a pledge and risk missing the BIG day. You can schedule your donation today, and Seattle Foundation will process it automatically on May 3! To pre-schedule your gift, visit our GiveBIG profile page HERE.

We hope you will make a donation to APL’s GiveBIG campaign and see your dollars stretched through the power of community.
DONATE NOW!

Thank you, as always, for your friendship and support of our work!

FacebookTwitterGoogle+TumblrPinterestGoogle GmailDeliciousDiggRedditStumbleUponFlipboardShare

Theatre Journal publishes Glas Nocturne Review

Theatre Journal TGN ScreenshotWe are so proud to share this performance review of The Glas Nocturne, which is published in the current issue (68.1) of Theatre Journal!

Thank you to Jeanmarie Higgins and ‪#‎theatrejournal‬ for venturing out to our corner of the country and giving APL’s work critical consideration as part of the international theatre conversation.

From the author: “What started as a quick trip to Seattle to see some friends and some theatre turned into a Theatre Journal performance review of Joseph and Zhenya Lavy’s The Glas Nocturne. I love writing about Akropolis Performance Lab; the work is always virtuosic, irrefutable, and strangely joyful.”

READ THE REVIEW FREE ON ACADEMIA.EDU

1-night only! See Ecce Faustus April 4

The Invocation of Mephistopheles | Ecce Faustus (2016) | Photo: Mark Jared Zufelt, Aether Images

The Invocation of Mephistopheles | Ecce Faustus (2016) | Photo: Mark Jared Zufelt, Aether Images

Dear Friends,

If you missed the February premiere of Ecce Faustus or just want to see it again, you are in luck: We are remounting it to shoot video and are inviting friends to enjoy a free showing — one night only — on April 4. That’s next Monday, and this is short notice, but we hope you can join us!

Seating is capped at 50 and first-come, first-served, so  reserve yours here now!

While this event is free to attend, there are expenses associated with this remount that we would appreciate your support in helping cover. Please consider making a donation to APL as you are able.

~ The APL Ensemble

Second Gypsy Nomination for Glas & Joseph Lavy

In addition to Zhenya’s nomination for local composing, Joseph received a Gypsy Rose Lee Award nomination for Best Male Lead Actor in a Play for his role as Dr. Glas in The Glas Nocturne.

The Gypsy Rose Lee Awards are selected by Seattle Theatre Critics. Here is the entire slate of 2015 nominees:

Excellence in Production of a Play (Larger Theaters):

  • Best of Enemies – Taproot Theatre Company
  • Orpheus Descending – Intiman Theatre Festival/The Williams Project
  • Our Town – Strawberry Theatre Workshop
  • Slaughterhouse-Five – Book-It Repertory Theatre
  • The Flick – New Century Theatre Company

Excellence in Production of a Play (Smaller Theaters):

  • Chinglish – ArtsWest
  • Dance Like A Man – Pratidhwani
  • The Secretaries – Theater Schmeater
  • The Tall Girls – Washington Ensemble Theatre
  • Water By The Spoonful – Theatre22

Excellence in Production of a Musical

  • American Idiot – ArtsWest
  • Come From Away – Seattle Repertory Theatre
  • Into the Woods – STAGEright Theatre
  • Lizard Boy – Seattle Repertory Theatre
  • The Great America Trailer Park Musical – STAGEright Theatre

Excellence in Direction of a Play (Larger Theaters):

  • Josh Aaseng – Slaughterhouse-Five (Book-It Repertory Theatre)
  • David Bennett – Buyer & Cellar (Seattle Repertory Theatre)
  • Malika Oyetimein – Bootycandy (Intiman Theatre Festival)
  • Ryan Purcell – Orpheus Descending (Intiman Theatre Festival/The Williams Project)
  • MJ Sieber – The Flick (New Century Theatre Company)

Excellence in Direction of a Play (Smaller Theaters):

  • Julie Beckman – Water By The Spoonful (Theatre22)
  • Desdemona Chiang and Howie Seago – Sound (Azeotrope)
  • John Kazanjian – Mud (New City Theater)
  • Kelly Kitchens – The Art of Bad Men (MAP Theatre)
  • Annie Lareau – Chinglish (ArtsWest)

Excellence in Direction of a Musical

  • Eric Ankrim – American Idiot (ArtsWest)
  • Christopher Ashley – Come From Away (Seattle Repertory Theatre)
  • Matt Giles – Into the Woods (STAGEright Theatre)
  • Brandon Ivie – Lizard Boy (Seattle Repertory Theatre)
  • Steve Tomkins – No Way to Treat a Lady (Village Theatre)

Excellence in Performance in a Play as a Lead Actor (Male) (Larger Theaters):

  • John Aylward – Cat on a Hot Tin Roof (ACT Theatre)
  • Robert Bergin/Erik Gratton/Todd Jefferson Moore – Slaughterhouse-Five (Book-It Repertory Theatre)
  • Jeff Berryman – Best of Enemies (Taproot Theatre Company)
  • Scott Drummond – Buyer & Cellar (Seattle Repertory Theatre)
  • Tyler Trerise – The Flick (New Century Theatre Company)

Excellence in Performance in a Play as a Lead Actor (Male) (Smaller Theaters):

  • Jany Bacallao – Water By The Spoonful (Theatre22)
  • Ryan Higgins – 99 Ways To Fuck A Swan (Washington Ensemble Theatre)
  • Joseph Lavy – The Glas Nocturne (Akropolis Performance Lab)
  • Terry Edward Moore – A Delicate Balance (Theatre9/12)
  • Tyler Trerise – My Mañana Comes (ArtsWest)

Excellence in Performance in a Musical as a Lead Actor (Male)

  • Mark Anders – My Fair Lady (Village Theatre)
  • Nick DeSantis – No Way to Treat a Lady (Village Theatre)
  • Brian Earp – Cabaret (Village Theatre)
  • Frederick Hagreen – American Idiot (ArtsWest)
  • Justin Huertas – Lizard Boy (Seattle Repertory Theatre)

Excellence in Performance in a Play as a Lead Actor (Female) (Larger Theaters):

  • Hana Lass – The Explorers Club (Taproot Theatre Company)
  • Claudine Mboligikpelani Nako – Little Bee (Book-It Repertory Theatre)
  • Jeanne Paulsen – Mother Courage And Her Children (Seattle Shakespeare Company)
  • Faith Russell – Best of Enemies (Taproot Theatre Company)
  • Amy Thone – Our Town (Strawberry Theatre Workshop)

Excellence in Performance in a Play as a Lead Actor (Female) (Smaller Theaters):

  • Mary Ewald – Mud (New City Theater)
  • Sophia Franzella – My Dear Miss Chancellor (Annex Theatre)
  • Kathy Hsieh – Chinglish (ArtsWest)
  • Yesenia Iglesias – Water By The Spoonful (Theatre22)
  • Anna Kasabyan – Bad Jews (Seattle Public Theater)

Excellence in Performance in a Musical as a Lead Actor (Female)

  • Kristin Burch – Legally Blonde (SecondStory Repertory)
  • Jenn Collela – Come From Away (Seattle Repertory Theatre)
  • Beth DeVries – Snapshots (Village Theatre)
  • EmilyRose Frasca – Are You There, God? It’s Me, Karen Carpenter (STAGEright Theatre)
  • Allison Standley – My Fair Lady (Village Theatre)

Excellence in Performance of a Play as a Supporting Actor (Male) – any non-lead (Larger Theaters):

  • Quinn Franzen – Threesome (ACT Theatre)
  • Sam Hagen – The Flick (New Century Theatre Company)
  • Bill Johns – The Explorers Club (Taproot Theatre Company)
  • Isaiah Johnson – Bootycandy (Intiman Theatre Festival)
  • Adam Standley – Mr. Burns, a post-electric play (ACT Theatre)

Excellence in Performance of a Play as a Supporting Actor (Male) – any non-lead (Smaller Theaters):

  • Scott Ward Abernethy – Indian Ink (Sound Theatre Company/Pratidhwani)
  • Ben Phillips – Bad Jews (Seattle Public Theater)
  • Brandon Ryan – The Art of Bad Men (MAP Theatre)
  • Ryan Schlect – Sound (Azeotrope)
  • G. Valmont Thomas – Water By The Spoonful (Theatre22)

Excellence in Performance of a Musical as a Supporting Actor (Male)

  • Rodney Hicks – Come From Away (Seattle Repertory Theatre)
  • Dan Kremer – My Fair Lady (Village Theatre)
  • David Pichette – The Sound of Music (The 5th Avenue Theatre)
  • Caesar Samayoa – Come From Away (Seattle Repertory Theatre)
  • William A. Williams – Lizard Boy (Seattle Repertory Theatre)

Excellence in Performance of a Play as a Supporting Actor (Female) (Larger Theaters):

  • Angel Brice – Bootycandy (Intiman Theatre Festival)
  • Emily Chisholm – The Flick (New Century Theatre Company)
  • Rebecca M. Davis – Bootycandy (Intiman Theatre Festival)
  • Jenny Vaughn Hall – Best of Enemies (Taproot Theatre Company)
  • Sarah Harlett – The Memorandum (Strawberry Theatre Workshop)

Excellence in Performance of a Play as a Supporting Actor (Female) (Smaller Theaters):

  • Rose Cano – Water By The Spoonful (Theatre22)
  • Cheyenna Clearbrook – Sound (Azeotrope)
  • Ashley Flannegan – The Secretaries (Theater Schmeater)
  • Peggy Gannon – The Art of Bad Men (MAP Theatre)
  • Rhonda J. Soikowski – Wizzer Pizzer (Theatre22)

Excellence in Performance of a Musical as a Supporting Actor (Female) – any non-lead

  • Kirsten deLohr Helland – Lizard Boy (Seattle Repertory Theatre)
  • Priscilla Hake Lauris – My Fair Lady (Village Theatre)
  • Chelsea LeValley – Angry Housewives (ArtsWest)
  • Q. Smith – Come From Away (Seattle Repertory Theatre)
  • Billie Wildrick – Carousel (The 5th Avenue Theatre)

Excellence in Performance as an Ensemble (Larger Theaters):

  • Bootycandy – Intiman Theatre Festival (Chris Ensweiler, Tyler Trerise, Rebecca M. Davis, Isaiah Johnson, Angel Brice)
  • Come From Away – Seattle Repertory Theatre (Eric Ankrim, Petrina Bromley, Jenn Colella, Joel Hatch, Rodney Hicks,Kendra Kassebaum, Chad Kimball, Lee MacDougall, Caesar Samayoa, Q Smith, Astrid Van Wieren, Sharon Wheatley)
  • Festen – New Century Theatre Company (Emily Chisholm, Bradford Farwell, Ray Gonzalez, Brenda Joyner, Conner Neddersen, Michael Patten, Jason Sanford, Betsy Schwartz, MJ Sieber, Amy Thone, Connor Toms, Evan Whitfield, Peter Dylan O’Connor, Helen Milam)
  • Orpheus Descending – Intiman Theatre Festival/The Williams Project (Grant Chapman, Kemiyondo Coutinho,Rebecca Gibel, Tiffany Nichole Greene, Elise LeBreton, Richard Prioleau, Max Rosenak, Charlie Thurston)
  • No Way to Treat a Lady – Village Theatre (Nick DeSantis, Dane Stokinger, Jessica Skerritt, Bobbi Kotula, Jayne Muirhead)

Excellence in Performance as an Ensemble (Smaller Theaters):

  • Brechtfest – The Horse in Motion (Katherine Bicknell, Nathan Brockett, Liza Curtiss, Amy Escobar,Chris Lee Hill, Harry Todd Jamieson, Sylvia Kowalski, Adria LaMorticella, Kevin Lin, Jocelyn Maher, Nic Morden, Andrew Pritzkau, Hannah Ruwe, Matt Sherrill, Dylan Smith, Shaudi Bianca Vahdat)
  • Dance Like a Man – Pratidhwani (Jay Athalye, Tanvee Kale, Abhijeet Rane, Meenakshi Rishi)
  • The Art of Bad Men – MAP Theatre (Grace Carmack, Peggy Gannon, Ben McFadden, Ben Burris, Brandon Ryan, Sean Schroeder)
  • The Tall Girls – Washington Ensemble Theatre (Leah Salcido Pfenning, Hannah Ruwe, Chelsea Callahan, Adria LaMorticella, Bailie Breaux, Ali Mohamed el-Gasseir)
  • Water By The Spoonful – Theatre22 (Jany Bacallao, Yesenia Iglesias, Rose Cano, G. Valmont Thomas, Keiko Green, Jeff Allen Pierce, Jake Ynzunza)

Excellence in Set Design (Larger Theaters):

  • Andrea Bryn Bush – The Flick (New Century Theatre Company)
  • L.B. Morse – Lizard Boy (Seattle Repertory Theatre)
  • Matthew Smucker – Cabaret (Village Theatre)
  • Matthew Smucker – Our Town (Strawberry Theatre Workshop)
  • Carey Wong – The Comparables (Seattle Repertory Theatre)

Excellence in Set Design (Smaller Theaters):

  • Nina Moser – Mud (New City Theater)
  • Jared Roberts – American Idiot (ArtsWest)
  • Paul Thomas – Dump Site (Seattle Immersive Theatre)
  • Montana Tippett – Water By The Spoonful (Theatre22)
  • Craig Wollam – The Tumbleweed Zephyr (Pork Filled Productions)

Excellence in Costume Design (Larger Theaters):

  • Erik Andor – Lizard Boy (Seattle Repertory Theatre)
  • Sarah Nash Gates – Carousel (The 5th Avenue Theatre)
  • Kelly McDonald – Bootycandy (Intiman Theatre Festival)
  • Pete Rush – Slaughterhouse-Five (Book-It Repertory Theatre)
  • Deb Trout – Mr. Burns, a post-electric play (ACT Theatre)

Excellence in Costume Design (Smaller Theaters):

  • Cherelle Ashby & Jonelle Cornwell – Are You There, God? It’s Me, Karen Carpenter (STAGEright Theatre)
  • Candace Frank – Indian Ink (Sound Theatre Company/Pratidhwani)
  • Kelly McDonald – Chinglish (ArtsWest)
  • Nina Moser – Mud (New City Theater)
  • Ali Rose Panzarella – 99 Ways To Fuck A Swan (Washington Ensemble Theatre)

Excellence in Lighting Design (Larger Theaters):

  • Howell Binkley – Come From Away (Seattle Repertory Theatre)
  • Kent Cubbage – Slaughterhouse-Five (Book-It Repertory Theatre)
  • Geoff Korf – Festen (New Century Theatre Company)
  • Geoff Korf – Mr. Burns, a post-electric play (ACT Theatre)
  • Andrew D. Smith – The Flick (New Century Theatre Company)

Excellence in Lighting Design (Smaller Theaters):

  • Tess Malone – The Art of Bad Men (MAP Theatre)
  • Tristan Roberson – Water By The Spoonful (Theatre22)
  • Gwyn Skone – My Dear Miss Chancellor (Annex Theatre)
  • Lindsay Smith – Mud (New City Theater)
  • Tim Wratten – Tilt Angel (theater simple)

Excellence in Sound Design (Larger Theaters):

  • Dominic CodyKramers – Mr. Burns, a post-electric play (ACT Theatre)
  • Mark Lund – Best of Enemies (Taproot Theatre Company)
  • Evan Mosher and Robertson Witmer – The Flick (New Century Theatre Company)
  • Matt Starritt – Lizard Boy (Seattle Repertory Theatre)
  • Matt Starritt – Slaughterhouse-Five (Book-It Repertory Theatre)

Excellence in Sound Design (Smaller Theaters):

  • Dana Amromin – The Secretaries (Theater Schmeater)
  • Christen Audio Group (Andy Somora and Hannah Victoria Franklin) – Is She Dead Yet? (Annex Theatre)
  • Evan Mosher and Andre Nelson – Slowgirl (Seattle Public Theater)
  • Haley Parcher – American Idiot (ArtsWest)
  • Kyle Thompson – Water By The Spoonful (Theatre22)

Excellence in Musical Direction

  • Ian Eisendrath – Come From Away (Seattle Repertory Theatre)
  • Chris Ranney and R.J. Tancioco – American Idiot (ArtsWest)
  • RJ Tancioco – Lizard Boy (Seattle Repertory Theatre)

Excellence in Choreography or Movement

  • Donald Byrd – Carousel (The 5th Avenue Theatre)
  • Kelly Devine – Come From Away (Seattle Repertory Theatre)
  • Trina Mills, Shadou Mintrone and Gabe Corey – American Idiot (ArtsWest)

Excellence in Local Playwriting

  • Josh Aaseng – Slaughterhouse-Five (Book-It Repertory Theatre)
  • Caitlin Gilman – My Dear Miss Chancellor (Annex Theatre)
  • Keiko Green – Bunnies (Annex Theatre)
  • Justin Huertas – Lizard Boy (Seattle Repertory Theatre)
  • Brandon Simmons – Is She Dead Yet? (Annex Theatre)

Excellence in Local Composing

  • Justin Huertas – Lizard Boy (Seattle Repertory Theatre)
  • Zhenya Lavy – The Glas Nocturne (Akropolis Performance Lab)
  • Mark Siano, Opal Peachey, and Dayton Alleman – Bohemia (Marxiano Productions)

Ecce Faustus Tickets Now on Sale

Ecce FaustusIt’s time! Tickets are now available for Ecce Faustus.

Don’t delay. The show runs just 3 weeks: February 5-27, 2016.

See what happens when APL explores the various ways we sell our souls and deconstructs the Faust legend to create a Modern Medieval Mystery Play… staged in a church in the Ballard neighborhood.

Did we mention the composer was a murderer?

Truly another not-to-be missed original piece by the ensemble!

Complete details here.

Zhenya Lavy Nominated for Gypsy Award

2016_01-07 NOMINATION - Gypsy - Music - ZhenyaFor the second year in a row, Co-Artistic Director Zhenya Lavy has been nominated by the Seattle Theatre Writers for a Gypsy Rose Lee Award in the category of Excellence in Local Composing. The nomination recognizes her work on The Glas Nocturne.

Zhenya’s nomination as one of three for 2015 is an especial honor because, unlike most awards for theatre in the greater Seattle area, the Gypsy Awards do not differentiate separate categories for music at larger- or smaller-budget houses: the potential nominee pool encompasses all original music for theatre activity in the area.

L-R: Joseph Lavy, Linnea Ingalls, Catherine Lavy, Sara Kaus, Annie Paladino, Margaretta Campagna, and Zhenya Lavy | Photo: Joe Patrick Kane

The musical landscape Zhenya built for The Glas Nocturne included piano nocturnes by composers from Field and Chopin to Alkan and Bartok (played live by Zhenya), as well as dynamic arrangements of traditional Swedish folk tunes sung in three- and four-part harmonies by the ensemble.

Award winners will be announced later this month.

If you missed The Glas Nocturne, request a spot on our waitlist and be among the first to know when we will remount it in our 2016-17 season.

In the meantime, buy your tickets now for Ecce Faustus, which opens February 5. Ecce Faustus features stunning 5-part madrigals and sacred music by Carlo Gesualdo, with some of the most complex structures and harmonies APL has ever put on stage — all performed live.

Joseph Lavy Receives Seattle Times Footlight Award

Co-Artistic Director Joseph Lavy has received a 2015 Seattle Times Footlight Award for solo acting for his performance as Dr. Glas in The Glas Nocturne! Joseph delivered a profoundly powerful performance, and we couldn’t be more proud to see him honored with a Footlight. Thank you to Misha Berson and all the Seattle Times theatre critics for this acknowledgment.

The Glas Nocturne, a subcultural chamber performance experience for small audiences, has had two limited runs in Seattle and one tour. It garnered strong media reviews in its world premiere run, and a scholarly review is forthcoming in the March 2016 issue of Theatre Journal, which is published by the Association for Theatre in Higher Education (ATHE).

If you missed the chance to see The Glas Nocturne in 2015, watch for news of a remount or sign up for our waitlist. We plan to bring it back for at least one more run of local performances later in 2016.

Here’s a clip of a segment we call “The Story of the Girl,” filmed during our November tour to the Center for Applied Theatre & Active Culture / New World Performance Lab (Akron OH):

L-R: Joseph Lavy,  Emily Jo Testa, Catherine Lavy, Annie Paladino, and Zhenya Lavy.

#glasnocturne

Tommer Peterson’s play selected for Jan Salon

Playwright Tommer Peterson

Playwright Tommer Peterson

The New Year New Play Salon, held annually since 2014, features the work of a Pacific Northwest playwright and/or Pacific Northwest themes. A team of four evaluated all the submissions for 2016, and we are delighted to announce that out of a very competitive pool of applicants, the play selected to be read at our January 17 New Year New Play Salon is Tommer Peterson’s No One on Board Took Notice.

Perhaps best known for his work as a designer, Peterson also has authored or co-authored several plays, including Va-Va-Va-Voom and (with KJ Sanchez) two documentary plays: Night at the Opera (2012) and Duck Soup (2011).

No One on Board Took Notice starts from a simple yet infinitely complex premise: What we see is largely determined by where we stand…. or perhaps even more by where we choose to gaze and what we choose to remember.

Learn more about Peterson and this exciting new play.

APL Offers Voice Workshop in Ohio

Co-Artistic Director Zhenya Lavy will lead a voice workshop — The Awakened Voice: Vocal Empowerment Through Song — in Akron OH on November 22. In this dynamic, vocal workout, which is hosted by Wandering Aesthetics, Zhenya will share tools and techniques she’s developed through 25 years of practical research to

  • awaken your complete instrument
  • expand your expressive capacity
  • build mindful, engaged, precise strategy for approaching song in the context of theatrical performance that is deeply musical but not musical theatre

Please help us get the word out to everyone interested in taking their vocal expressivity to the next level! We hope to see many of our Ohio friends there! Links of interest:

Click here for complete information, including the online registration form.

 

*** Reminder: This workshop is scheduled in coordination with Akropolis Performance Lab’s Ohio performances of The Glas Nocturne, Nov 20 (8pm) & Nov 21 (2pm & 8pm), which are presented by Akron’s Center for Applied Theatre and Active Culture/New World Performance Lab. Click here to reserve tickets for the performance! ***

The Doctor Returns! Glas Nocturne reopens Nov 5

We are thrilled to announce that we are remounting The Glas Nocturne in Seattle (Nov 5-7 & 12-14) and in Akron OH (Nov 20-21)! The Ohio tour is hosted by Akron’s Center for Applied Theatre & Active Culture / New World Performance Lab. It’s our first tour out of Washington State, and we can’t wait to share this potent piece with new audiences.

Check out our new Glas trailer video, too!

 

Learn more about our Ohio host, the Center for Applied Theatre & Active Culture / New World Performance Lab, on their website.