Pomegranate & Ash Makes a Strong Debut

Yesterday we premiered Pomegranate & Ash: An Experiment in Theatre of Polyphony in On the Boards’ Open Studio #6 — and today OTB has confirmed that we are the first group to fully pack the house!

The Sad Days that are Surely to Come

"This is the time of tension between dying and birth -- the place of solitude where three dreams cross." | Henry James Walker, Trevor Young Marston, and Zhenya Lavy | Photo: Joe Patrick Kane

Dance of Separation

Dance of Separation | Front: Sara Kaus and Annie Paladino. Back: Linnea Ingalls, Margaretta Campagna, Zhenya Lavy. | Photo: Joe Patrick Kane

Dance of Seduction

Dance of Seduction "Oh, ho, I will have it. I will bow and bend to get it." | Trevor Young Marston and Sara Kaus | Photo: Joe Patrick Kane

The Abduction of Persephone

The Abduction of Persephone | Annie Paladino with Zhenya Lavy, Catherine Lavy, Margaretta Campagna, Linnea Ingalls, Emily Jo Testa. | Photo: Joe Patrick Kane

Clairvoyant Action

Clairvoyant Action | Emily Jo Testa with Henry James Walker, Joseph Lavy, Sara Kaus | Photo: Joe Patrick Kane

An Angel Hath Troubled the Water

An Angel Hath Troubled the Water | Trevor Young Marston with Catherine Lavy, Annie Paladino, Margaretta Campagna, Emily Jo Testa | Photo: Joe Patrick Kane

An Angel Hath Troubled the Water

An Angel Hath Troubled the Water "These waters will heal you, they will set you free." | Linnea Ingalls & Trevor Young Marston | Photo: Joe Patrick Kane

Low, Low

"And the sword I will wield, and the sword I will wield... for this is my work while here below." | (L-R) Back: Joseph Lavy, Trevor Young Marston, Henry James Walker. 3rd Row: Annie Paladino, Emily Jo Testa, Sara Kaus. 2nd row: Margaretta Campagna, Linnea Ingalls. Front: Zhenya Lavy, Catherine Lavy. | Photo: Joe Patrick Kane

 

Here’s a sampling of audience responses:

  • “The ensemble was so tight. Precise and tuned into each other.”
  • “The music was amazing!”
  • “Their dance [Dance of Seduction by Sara Kaus and Trevor Young Marston] was really powerful!”
  • “The girl’s [Catherine Lavy] song made me cry!”
  • “It’s hard to believe you’ve only been working together as an ensemble for three months!”
  • “Very moving. Even though there was no story, the imagery and the way you layered everything together was striking.”
  • “It was refreshing to see a performance that was truly interdisciplinary!”

Were you there? We’d love to get your feedback, too! Please email us or comment below.

Thank you to On the Boards for organizing this event.

Pomegranate & Ash continues to evolve. Look for additional showing announcements through this Spring and Summer.

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Cast Set for Pleasure & Sorrow of Your Company

Omer Fast, 5000 Feet Is the Best, 2011, digital film stills © Omer Fast

Omer Fast, 5000 Feet Is the Best, 2011, digital film stills © Omer Fast

The cast for January 25th’s New Year New Play reading of Stacy D. Flood’s The Pleasure & Sorrow of Your Company has been finalized.

We are excited to announce that APL Company Members and apprentices will be joined by local talents Natural Israel, Samara Lerman, and Paul Budraitis in giving voice to Flood’s examination of warfare in the drone age.

The event is wrapped in lively conversation; generous and careful discussion of the play; great food; and  ample opportunities to network with artists, intellectuals, and enthusiasts.

Learn more about the play, view the complete casting, and RSVP on the Salon page.

Pomegranate & Ash to Premiere in OTB’s Open Studio

Pomegranate & Ash | On the Boards Open Studio | Feb. 8, 3:30 PM.

Pomegranate & Ash | On the Boards Open Studio | Feb. 8, 3:30 PM.

The fullest manifestation to date of APL’s Theatre of Polyphony, Pomegranate & Ash premieres at On the Boards in the Open Studio on Sunday, February 8, at 3:30pm.

Pomegranate and Ash takes TS Eliot’s Ash Wednesday, Monteverdi madrigals, the Hymn of Demeter, music from the Shaker tradition, and each performer’s personal biography as source material for an original performance rooted in themes of separation, loss, and reunification.

The entire ensemble performs in this piece, including all our new Artistic Associates and Apprentices.

Admission to Open Studio is by donation only: $5 suggested.

Learn more about Pomegranate & Ash and APL’s Theatre of Polyphony.

Approaching The Fence from All Angles

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L-R: Zhenya Lavy, Aimée Bruneau, and Lola Peters | Photo: Margaretta Campagna

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Andrew Ross Litzky and Annie Paladino | Photo: Margaretta Campagna

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Clockwise from back: Jose Amador, Aimée Bruneau, and Zachary Hewell | Photo: Margaretta Campagna

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Valerie Curtis-Newton and Andrew Ross Litzky | Photo: Margaretta Campagna

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Joseph Lavy and Annie Paladino | Photo: Margaretta Campagna

 
For our October 12 Sunday Salon reading of Howard Barker’s The Fence in it’s Thousandth Year, we filled the house with a fantastic group of artists and intellectuals who really dug in to investigate the play’s meaning, reverberations, and implications for performance today. We were fortunate to snag time with Valerie Curtis-Newton in what turned out to be a monumental week for her: winning The Stranger’s 2014 Genius Award for Theater and Crosscut’s 2014 Courage Award in Culture. And we owe special thanks to Andrew Ross Litzsky for saving the day when one of our originally scheduled reader fell ill.

The entire cast knocked this reading out of the park:

PHOTO, a Blind Adolescent – Zachary Hewell
ALGERIA, A Duchess – Aimée Bruneau
ISTORIA, Friend to Algeria – Valerie Curtis-Newton
DOORWAY, A Suitor – Joseph Lavy
LOU, A Young Woman – Annie Paladino
KIDNEY, A Servant – Andrew Ross Litzky
YOUTERUS, A Blind Thief – Jose Amador
CAMERA, A Blind Child – Margaretta Campagna
NARRATOR – Zhenya Lavy

Stellar Cast Set to Read The Fence!

We are beyond excited about our autumn Sunday Salon!

Every Salon presents a careful selection of artists and intellectuals to read a great play and dive into deep discussion, and our October 12 reading of The Fence in its Thousandth Year is no exception. You will want to be in the room with this incredibly talented and erudite group when we take on Howard Barker’s epic story of a blind boy on a quest to understand his true identity in a world of forced segregation, illegal immigration, and shifting sands of Truth:

The US-Mexico Border at Tijuana

The US-Mexico Border at Tijuana

PHOTO, a Blind Adolescent – Zachary Hewell
ALGERIA, A Duchess – Aimée Bruneau
ISTORIA, Friend to Algeria – Valerie Curtis-Newton
DOORWAY, A Suitor – Joseph Lavy
LOU, A Young Woman – Annie Paladino
KIDNEY, A Servant – Paul Budraitis
YOUTERUS, A Blind Thief – Jose Amador
CAMERA, A Blind Child – Margaretta Campagna
NARRATOR – Zhenya Lavy

Click here for more information.
Note: RSVP required — claim your spot now!

Gregory Awards – Submit Your People’s Choice Nomination!

Marina (Zhenya Lavy) and Astrov (Carter Rodriquez) | Photo: Annie Paladino

Marina (Zhenya Lavy) and Astrov (Carter Rodriquez) | Photo: Annie Paladino

People’s Choice nominations are still being accepted for this year’s Gregory Awards — through September 4 — and we ask you to consider Uncle Vanya for Best Production when you vote.

Our work doesn’t fit neatly into Tony-style award categories. In fact, almost everything we do falls outside convention. Consider music alone: while APL’s productions are all deeply musical — with sophistication and complexity outpacing most musical theatre — it would and should never be classified in the same category as musicals.

We need your support to be recognized, and anyone can submit a nomination. VOTE HERE! The not-to-be-missed Gregory Awards ceremony is October 20.

Uncle Vanya may not have nabbed reviewer nominations, but we did receive some Gregory Nominator love and appreciation for the work we do. Here are some highlights:

About the production:

I thought staging this production in an old Victorian House was brilliant. I was skeptical about the intimate setting but for a Chekhov play it worked very well.

 

Ballsy choice to set the show environmentally, in a location that has a limited potential audience. Excellent use of architecture.

 

For the space, the lights were great. They were low when necessary, warm when they needed to be, and stark enough to make me feel like I was in a dark Russian countryside.

 

The music was exceptional. They set the scenes up nicely, and the fact that almost all singing was done unaccompanied should be applauded. The actors did a fantastic job and Zhenya Lavy did some beautiful work.”

Not surprisingly, the Vanya music received special attention:

Zhenya Lavy should be recognized for her outstanding direction of the music in Uncle Vanya. The music–sung all in Russian, mostly a capella, in rich 3 & 4 part harmonies, was exquisite and brought so much depth and texture to the production as a whole. Brilliant work!

 

The music was exceptional. They set the scenes up nicely, and the fact that almost all singing was done unaccompanied should be applauded. The actors did a fantastic job and Zhenya Lavy did some beautiful work.

 

Superb use of music and song as environment.

This love went to Carter Rodriquez for his brilliant turn in the role of Astrov:

Complex, authentic portrayal of a character that could easily be two-dimensional.

 

He seemed to understand the dark humor of Chekov.

And, finally, Zhenya Lavy received this acknowledgment for her on-stage marathons as the largely dialogue-free but always-present Marina:

Lovely, natural approach, made all the more compelling by realistic reactions during long periods where she had no dialogue.

Submit your People’s Choice Nomination today — VOTE HERE!

You know what they say about empty barns…

If a farmer fills his barn with grain, he gets mice.
If he leaves it empty, he gets actors.  ~
Walter Scott

 

Barn Show posterAPL Artistic Associate Annie Paladino is performing in Blood Ensemble’s Barn Show, which opens next weekend. The immersive, ensemble-generated piece is set in and around a turn-of-the-century barn in Marysville. Dinner is included in the event. Ticket options are priced for driving yourself or getting a ride on the show bus.

It promises to be more than mere entertainment. The rest of Akropolis is going to the July 12 performance.

Join us!

 

Announcing Our New Company Members

L-R: Margaretta Campagna and Annie Paladino

L-R: Margaretta Campagna and Annie Paladino joined Akropolis Performance Lab as Artistic Associates in May.

We are delighted to welcome Margaretta Campagna and Annie Paladino as Akropolis Performance Lab’s new Artistic Associates! As Artistic Associates they will not only participate in APL’s artistic projects and ongoing training but also contribute to charting the ensemble’s direction both artistically and strategically.

Margaretta‘s affiliation with APL began in fall 2005, when she was cast in Seneca’s Oedipus (2006). She played Tiresias, for which she earned well-deserved critical praise, and she also provided much of the production’s musical soundscape on her cello. When the fretboard on her cello broke just one hour before curtain, Margaretta went to extraordinary lengths to secure a replacement — including cheering on (through tears of panic) another Oedipus actress, Liz Erber, as she scaled the side of a building to enter the window of a friend’s locked apartment (with permission, of course) and retrieve a suitable instrument! Since then, Margaretta has participated in every APL production and activity, most recently appearing as Sonya in Uncle Vanya (2014).

Annie, a recent transplant from San Francisco, began training with APL in our summer 2013 Performer’s Lab. We later learned that at Wesleyan University she had studied with Cláudia Tatinge Nascimento — one of the Lavys’ former NWPL colleagues. Annie came on board to assistant direct Uncle Vanya (2014) in the fall. Above and beyond her AD duty, she participated fully in the music rehearsal process throughout and was such a proficient ensemble member that we once “rewarded” her with 11th-hour call to be on-deck to perform due to actor illness (although she was not, ultimately, subjected to that trial-by-fire)! You’ll also see Annie credited with a majority of the extraordinary Vanya photography.

For more information about our new company members and their wealth of artistic experience, see our Collaborators & Artistic Associates page .

Please join us in congratulating Margaretta and Annie. We anticipate great things from their collaboration!

Curtain Calls & Curtain Speeches: Why, How, and When Do You Do It?

 

Curtain Calls & Curtain Speeches, co-moderated by Zhenya Lavy & Annie Paladino.

Curtain Calls & Curtain Speeches, co-moderated by Zhenya Lavy & Annie Paladino.

Annie Paladino and Zhenya Lavy co-moderated a very lively Twitter chat today as part of the HowlRound.com peer-produced conversation series on Twitter at #newplay.

It never ceases to amaze what can be accomplished in 140-character bursts!

If you missed it, the transcript is archived on Storify. Check it out!